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Gian-Paolo-Barbieri
Mirella Petteni in Valentino, Roma 1967 (left) and Audrey Hepburn in Valentino, Roma 1969 (proper)

Gian Paolo Barbieri, who used to be thought to be one among Italy’s largest type photographers, has died on the age of 89.

Barbieri, who used to be the craze photographer in the back of the primary Trend Italia quilt, has died after combating a protracted sickness.

A woman stands against a dark background, wearing a fitted, strapless dress. She holds her dress at the knee, revealing her leg. Her hair is curly and she is smoking a cigarette, with smoke visible around her face. The image is in black and white.
Monica Bellucci in D&G Milano 2000

The photographer’s namesake basis Fondazione Gian Paolo Barbieri showed his dying.

Thru his lens, Barbieri captured no longer handiest the magnificence and attract of his fashions but in addition the soul of Italian type, raising it to an artwork shape.

Black and white image of two women wearing dark clothing and head coverings, their faces leaning towards each other. One has her arm draped over the other's shoulder. Both wear statement necklaces and are gazing forward.
Lilly Bistrattin in Pomellato, Milano 1971
A woman with dramatic makeup peers through a circular opening surrounded by an array of sparkling, colorful gems on a dark background. The gems create an artistic, almost celestial pattern around her.
Mariolina Della Gatta in Coppola&Toppo,
Silhouette of a person in a green tulle dress with a ribbon in their hair, standing against a vibrant yellow background. They are partially illuminated by light streaming from the right, creating a dramatic contrast.
Naomi Campbell in Yves Saint Laurent, Parigi
1988

Easiest recognized for iconic promoting campaigns for Valentino, Armani, and Dolce & Gabbana, Barbieri used to be additionally a standard photographer for Trend Italia, Trend The united states, Trend Paris, and Trend Germany. All through his profession, he shot portraits of stars equivalent to Audrey Hepburn, Sophia Loren, Naomi Campbell, and Monica Bellucci.

Considered one of his maximum iconic photographs is a black-and-white photograph of Italian actress Bellucci smoking a cigarette in a sheer Dolce & Gabbana get dressed.

Born in Milan, Italy in 1935 to a circle of relatives of textile wholesalers, it used to be in his father’s warehouse that Barbieri began to grow to be acquainted with type.

A woman in elegant attire reclines on a sofa, holding a cigarette holder. The background features an ornate, Asian-inspired decorative screen. The setting exudes a classic, vintage ambiance.
Ingmari Lamy in Walter Albini, Milano 1975
Ivana Bastianello in Coppola e Toppo, Milano 1968
A person in white attire with a turban sits on a ledge at a busy port, observing a camel being lifted by a crane onto a ship. Several cranes and cargo ships are visible in the background under a clear sky.
Jill Kennington in Missoni, Porto Sudan 1974

He used to be influenced through cinema at an early age and used to be a self-taught photographer. Barbieri started taking pictures fashions in Rome within the Nineteen Sixties, a part of the social scene that impressed Federico Fellini’s 1960 movie L. a. Dolce Vita. His first skilled activity used to be an apprenticeship below Harper’s Bazaar photographer Tom Kublin.

In 1963, Barbieri had his photographs revealed within the Italian type mag Novità which become Trend Italia two years later. Barbieri additionally shot for the American and French editions of Trend.

Susan Moncur in Versace, Milano 1975

A person wearing sunglasses holds a vintage camera, focusing intently. They stand outdoors near architectural columns in a black-and-white photograph, suggesting a setting of meticulous photography or filming.
Gian Paolo Barbieri in Milan in 1967

His mastery of sunshine and talent to mix artwork and cinema in his photographs redefined type pictures.

Consistent with an obituary in Starvation Mag, a part of Barbieri’s groundbreaking legacy in type pictures used to be “the perception that you’ll be able to make a reputation for your self as an artistic with out formal coaching for one. Similarly, the concept you don’t want the entire equipment to have an concept relating to pictures.”

As an example, all over his time operating at Harper’s Bazaar, Barbieri would experiment with lighting fixtures in his basement through popping gentle bulbs into the pipes from his range.

Lately, thru his basis, Barbieri faithful himself to selling photographic tradition, supporting younger skills, and protecting the price of pictures as each testimony and inventive expression.

“The Gian Paolo Barbieri Basis will proceed to hold ahead his venture, honoring the reminiscence and paintings of an artist who immortalized the essence of his topics,” the root says in a commentary. “Good-bye Gian Paolo. Your artwork will proceed to encourage the sector.”

 


 
Symbol credit: All pictures courtesy of Fondazione Gian Paolo Barbieri.

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