“This can be a position the place ancestry is alive, the place traditions intertwine with modernity, and the place, in spite of the difficulties, the folk by no means lose hope and a way of neighborhood.”
Whilst images is a craft that conjures up other people to trip, Raimundo Cavalhier has a distinct bond with Brazil.
Born in Alagoinhas, Bahia, Cavalhier used to be formed by way of his tradition, his other people, and his nation’s historical past. The intensity of his pictures is immeasurable, and if there’s something to be informed from his images, it’s {that a} recent take to your nation’s other people and historical past handiest provides a layer of enchantment. One thing that brings audience in.
And isn’t that what images is all about?
Nowadays, such a lot of issues are vying for our consideration—advertisements, gross sales bulletins, new releases of methods, merchandise, and whatnot. How do you produce content material that may stay other people’s consideration? How do you are making them need extra?
That is after we be told to make a choice the sorts of pictures that aren’t simply unique and inclusive however show intensity.
We spoke to architect, researcher, photographer, and Shutterstock Create Fund winner Raimundo Cavalhier about other people, empowerment, and the way Brazilian blood performs a job in his paintings and viewpoint.


Shutterstock: Hello Raimundo! Inform me about your function as a photographer. What involves thoughts while you call to mind “Raimundo” and “photographer”?
Raimundo Cavalhier: After I call to mind myself as a photographer, the very first thing that involves thoughts is the relationship with my roots—with the power that comes from my ancestry.
I’m the son of a former cleansing woman. A lady who fought tirelessly to boost 9 kids and, with the little she had, constructed goals. Making my goals come true is not only about me but in addition about my mom’s. With each and every success I make, I’m wearing on her legacy.
My adventure in images began when my neighborhood believed in me. When I used to be a kid, my sister spotted that I had a herbal flair for images. From then, images transpired now not handiest in my existence but in addition in all of the neighborhood. It’s empowering my other people, appearing them their power, their good looks, and their roots. With each and every click on, I exhibit what my neighborhood is: tough and represented.
After I call to mind images, I call to mind illustration. I see myself as a river in consistent motion, all the time hooked up to my origins. As a result of I do know that if a river forgets the place it got here from, it dries up and dies. And I will be able to by no means disregard the place I got here from.
That’s what my images is a continual go with the flow. Some way of conserving alive the tales, the struggles, and the respect of my neighborhood.


License those pictures by means of Raimundo Cavalhier x2 x3 x4 x5.
SSTK: I really like that your sister enrolled you in a path. I feel it hits otherwise when our circle of relatives helps us that means. When and the place did this pastime get started?
Cavalhier: My pastime for images started lengthy sooner than I totally understood the affect it could have on my existence.
What led me to like images used to be how it permits me to seize tales, feelings, and moments that, another way, could be misplaced in time. I set to work professionally in 2018 after finishing the path.


SSTK: What’s it about images that you just love probably the most?
Cavalhier: The facility to seize other people’s essence and tales in an unique means. I really like photographing faces, seems to be, and smiles, which expose a lot more than phrases can say.
Each and every picture is a window into a singular universe, and what I really like maximum is having the ability to immortalize moments that display the wonder, power, and emotion of each and every particular person.
For me, images is set giving voice to invisible tales and growing deep connections via pictures.
SSTK: Is being a photographer your full-time process? Or do you intend to make it your full-time process?
Cavalhier: No, I additionally paintings as an architect. I divide my time between the 2 spaces, however more often than not is spent on images. It’s the person who strikes me and conjures up me in a singular means.
Even though structure may be a part of who I’m, my hope is that images will occupy an increasing number of house in my existence and transform my primary process.


SSTK: You’re based totally in Brazil, proper? When requested about Brazil, what would you assert about it? How would you describe it?
Cavalhier: Sure, I reside in Brazil and, for me, this nation is a land wealthy in contrasts and deep histories. Brazil is a spot of variety in other people, cultures, colours, and landscapes. After I call to mind Brazil, I call to mind the roots that run as deep because the rivers that reduce during the inside.
This can be a nation of resistance, the place communities like mine battle day-to-day for house, for a voice, and for recognize. I see it as a country of power, good looks, and tool, but in addition marked with inequalities that wish to be confronted head-on.
For me, Brazil is that this: A land that displays our historical past however that still carries the dream of a extra simply long run the place everybody can see themselves represented.
SSTK: Love that! And I really like how easy and emotive your pictures are! This one is a private favourite. What’s the tale in the back of it?
Cavalhier: That is my mom, my love. This picture has a deep which means for me—it speaks of ancestry, historical past, and love. My mom all the time mentioned she didn’t like taking photos, however each and every time I invite her to be my fashion, she accepts.

And this occurs as a result of she believes in my paintings. As a result of she believes in me. Via this gesture, my mom provides me power, and each and every symbol I take of her carries the power of generations and the love that unites us.
SSTK: What or who conjures up you?
Cavalhier: My favourite subject matter that conjures up me is Adriano Machado. Because the starting of my days in images, it’s been an ideal reference for me. I all the time appreciate the way in which he captures tales and expresses feelings via his pictures. Adriano’s paintings taught me to take a look at images in a extra profound and unique means.
Photographer Helen Salomão may be crucial inspiration. They each helped me form my imaginative and prescient and magnificence, and I proceed to appreciate their paintings for his or her skill to inform visible tales with such a lot affect and sensitivity.
SSTK: Your Shutterstock bio says you’re a researcher. Are you able to inform me extra about that?
Cavalhier: My tale as a researcher started in highschool once I joined a bunch devoted to researching the environmental affect of digital fabrics. We gathered those fabrics in school and ensured that they have been disposed of appropriately as a result of we knew that in the event that they have been disposed of improperly, they may motive hurt. This used to be particularly related for my town, Alagoinhas, in Bahia, which is understood international for the São Sebastião Aquifer, which is liable for making Alagoinhas’ water the second one perfect on the earth.
This analysis paintings led me to exceptional reports. It used to be the primary time I left my state, touring to puts like Recife and Belém do Pará, amongst others. I had by no means flown, and being the primary in my circle of relatives to have this enjoy used to be an immense pleasure.
After I entered faculty, finding out Structure and City Making plans, my analysis took a special route. I started finding out the day-to-day lifetime of towns, city go with the flow, communities, and native tradition.
All of those topics started to be translated into my photographic paintings, uniting structure, urbanism, and artwork in a visible expression of what I enjoy within the streets and neighborhoods that I discover.




SSTK: Such necessary paintings! Let’s communicate inventory. What do you call to mind inventory images nowadays? Now not simply Shutterstock however inventory images basically.
Cavalhier: I imagine we’re transferring against a extra numerous and consultant long run in images. Projects like this (Create Fund) are increasing the distance in order that extra other people, communities, and cultures are represented. This is very important since the variety of the photographs permits extra voices to be heard and sundry tales to learn.
Images has the ability to damage stereotypes and display other social realities. And with pictures that mirror the richness of cultures, ethnicities, and human reports, we arrange to create a suite that actually dialogues with the plurality of society.
This variation is essential, now not just for content material creators but in addition for many who eat those pictures as a result of they see themselves represented. I imagine that this evolution enriches the images marketplace as a complete and opens new alternatives for everybody concerned.

SSTK: How has The Create Fund impacted you?
Cavalhier: The Create Fund has had an important and sure affect on my existence, each in my opinion and professionally. It supplied me with new views and spread out probabilities that I had now not in the past imagined for my paintings.
Along with increasing my wisdom and abilities, the venture additionally hooked up me to a community of execs who percentage reports and visions. This alternate of concepts has been enriching, and impressed me to discover new approaches in images.
I’m very happy with the entire reinforce that has bolstered the crew all over this era of conferences, so thank you for the entirety.
License this cap symbol by means of Raimundo Cavalhier.
This put up used to be at the start printed onNovember 6, 2024
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