{"id":21303,"date":"2025-05-31T08:22:30","date_gmt":"2025-05-31T08:22:30","guid":{"rendered":"https:\/\/webdesignrace.com\/photography_blog\/2025\/05\/31\/28-years-later-was-filmed-using-20-iphones-at-once\/"},"modified":"2025-05-31T08:22:31","modified_gmt":"2025-05-31T08:22:31","slug":"28-years-later-used-to-be-filmed-the-use-of-20-iphones-at-as-soon-as","status":"publish","type":"post","link":"https:\/\/webdesignrace.com\/photography_blog\/2025\/05\/31\/28-years-later-used-to-be-filmed-the-use-of-20-iphones-at-as-soon-as\/","title":{"rendered":"\u201928 Years Later\u2019 Used to be Filmed The use of 20 iPhones at As soon as"},"content":{"rendered":"<div style=\"text-align:center\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/ywAAAAAAQABAAACAUwAOw==\" fifu-lazy=\"1\" fifu-data-sizes=\"auto\" fifu-data-srcset=\"https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=75&resize=75&ssl=1 75w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=100&resize=100&ssl=1 100w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=150&resize=150&ssl=1 150w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=240&resize=240&ssl=1 240w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=320&resize=320&ssl=1 320w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=500&resize=500&ssl=1 500w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=640&resize=640&ssl=1 640w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=800&resize=800&ssl=1 800w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=1024&resize=1024&ssl=1 1024w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=1280&resize=1280&ssl=1 1280w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1&w=1600&resize=1600&ssl=1 1600w\" fifu-data-src=\"https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg?ssl=1\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\u201928 Years Later\u2019 Used to be Filmed The use of 20 iPhones at As soon as\" title=\"\u201928 Years Later\u2019 Used to be Filmed The use of 20 iPhones at As soon as\" \/><\/div><p><\/p>\n<div>\n<figure id=\"attachment_797494\" aria-describedby=\"caption-attachment-797494\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-797494\" class=\"wp-caption-text\">Credit score: Sony<\/figcaption><\/figure>\n<p>Filmmaker Danny Boyle\u2019s upcoming blockbuster sequel <em>28 Years Later<\/em> embraces quite a lot of trendy filmmaking generation, together with capturing some sequences the usage of Apple iPhone smartphones. <\/p>\n<p>As <em>PetaPixel<\/em> reported closing September, Boyle made headlines when behind-the-scenes pictures confirmed that he and his group have been the usage of iPhone to shoot <em>28 Years Later<\/em>. A brand new deep-dive interview with <em>IGN<\/em>, additionally reported through <em>DPReview<\/em>, confirms those stories and gives an interesting glance into the filmmaking procedure and the way other digital camera generation allows new and dynamic scenes. <\/p>\n<div class=\"fluid-iframe\" style=\"max-width: 800px;\">\n<p><iframe loading=\"lazy\" title=\"28 YEARS LATER \u2013 Official Trailer (HD)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/mcvLKldPM08?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<p>Boyle tells <em>IGN<\/em> that regardless of no longer being shot on a collection of large-format cameras, his upcoming zombie apocalypse movie will probably be offered in an excessively broad 2.76:1 facet ratio. <\/p>\n<p>\u201cWe concept we\u2019d take pleasure in the unease that the primary company created in regards to the velocity and speed, the visceral [aspect] of the best way the inflamed have been depicted. For those who\u2019re on a widescreen layout, they may well be anyplace\u2026 it&#8217;s a must to stay scanning, taking a look round for them, in point of fact,\u201d Boyle says. <\/p>\n<p>It is a dramatic departure from the unique movie, 2002\u2019s <em>28 Days Later<\/em>, which used to be shot in 4:3 on miniDV camcorders to imitate the glance of pictures captured through folks experiencing an apocalypse within the early 2000s. <\/p>\n<p>Boyle is taking a identical means through the usage of trendy iPhone fashions, despite the fact that the pictures from trendy smartphones is light-years forward of the place client miniDV camcorders have been in 2002. <\/p>\n<figure id=\"attachment_797496\" aria-describedby=\"caption-attachment-797496\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/ywAAAAAAQABAAACAUwAOw==\" fifu-lazy=\"1\" fifu-data-sizes=\"auto\" fifu-data-srcset=\"https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=75&resize=75&ssl=1 75w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=100&resize=100&ssl=1 100w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=150&resize=150&ssl=1 150w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=240&resize=240&ssl=1 240w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=320&resize=320&ssl=1 320w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=500&resize=500&ssl=1 500w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=640&resize=640&ssl=1 640w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=800&resize=800&ssl=1 800w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=1024&resize=1024&ssl=1 1024w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=1280&resize=1280&ssl=1 1280w, https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1&w=1600&resize=1600&ssl=1 1600w\" decoding=\"async\" fifu-data-src=\"https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1\" alt=\"A film crew shoots a scene in a field of yellow flowers under a partly cloudy sky; one person operates a camera while two actors stand among the flowers.\" width=\"1600\" height=\"840\" class=\"size-full wp-image-797496\" srcset=\"https:\/\/i3.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony.jpg?ssl=1 1600w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-320x168.jpg 320w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-800x420.jpg 800w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-1536x806.jpg 1536w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-150x79.jpg 150w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-300x157.jpg 300w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-400x209.jpg 400w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-4-sony-550x288.jpg 550w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\"\/><figcaption id=\"caption-attachment-797496\" class=\"wp-caption-text\">Credit score: Sony<\/figcaption><\/figure>\n<p>Past simply the usage of an iPhone for capturing some sequences, Boyle and his cinematographer and common collaborator, Anthony Dod Mantle, went a long way past that and constructed some elaborate rigs, together with one that includes 20 iPhones facet through facet. This, at the side of specialised cameras connected to actors, particular sensors, drones, and extra, assist create a way of motion and immersion. <\/p>\n<p>The group used more than a few iPhone rigs all over filming, together with one with 8 cameras, any other with 10, and any other with the 20 discussed above. <\/p>\n<p>\u201cOne for 8 cameras, which may also be carried very simply through one individual, one for 10 cameras, and one for 20,\u201d Boyle explains of the iPhone rigs. \u201cI by no means say this, however there may be a fantastic shot in the second one part [of the film] the place we use the 20-rig digital camera, and also you\u2019ll comprehend it while you see it\u2026 It\u2019s reasonably graphic however it\u2019s a lovely shot that makes use of that method, and in a startling approach that roughly kicks you into a brand new global moderately than considering you\u2019ve observed it sooner than.\u201d<\/p>\n<p>Boyle says the 20-phone setup helped them create \u201cdeficient guy\u2019s bullet time.\u201d <\/p>\n<figure id=\"attachment_797495\" aria-describedby=\"caption-attachment-797495\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/ywAAAAAAQABAAACAUwAOw==\" fifu-lazy=\"1\" fifu-data-sizes=\"auto\" fifu-data-srcset=\"https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=75&resize=75&ssl=1 75w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=100&resize=100&ssl=1 100w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=150&resize=150&ssl=1 150w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=240&resize=240&ssl=1 240w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=320&resize=320&ssl=1 320w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=500&resize=500&ssl=1 500w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=640&resize=640&ssl=1 640w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=800&resize=800&ssl=1 800w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=1024&resize=1024&ssl=1 1024w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=1280&resize=1280&ssl=1 1280w, https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1&w=1600&resize=1600&ssl=1 1600w\" decoding=\"async\" fifu-data-src=\"https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1\" alt=\"A person runs through shallow water on a film set, while a large camera rig on a suspended track films the scene. The background has blue screens with tracking markers for visual effects.\" width=\"1600\" height=\"840\" class=\"size-full wp-image-797495\" srcset=\"https:\/\/i2.wp.com\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony.jpg?ssl=1 1600w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-320x168.jpg 320w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-800x420.jpg 800w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-1536x806.jpg 1536w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-150x79.jpg 150w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-300x157.jpg 300w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-400x209.jpg 400w, https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-3-sony-550x288.jpg 550w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\"\/><figcaption id=\"caption-attachment-797495\" class=\"wp-caption-text\">Credit score: Sony<\/figcaption><\/figure>\n<p>Having that many cameras capturing directly additionally signifies that, in enhancing, it\u2019s simple to select a particular point of view that\u2019s a little other from the remaining. It will also be used to time-slice and turn between cameras all over frenetic motion. <\/p>\n<p>\u201cBecause it\u2019s a horror film, we use it for the violent scenes to emphasise their affect,\u201d Boyle says. <\/p>\n<p><em>28 Years Later<\/em> is shaping as much as be no longer simplest a thrilling and extremely expected sequel to one of the most largest zombie motion pictures of the twenty first century however a excursion de drive in digital camera and filmmaking generation. Extra of this thrilling tech is featured in an IGN-exclusive behind-the-scenes video. <\/p>\n<p><em>28 Years Later<\/em> lands in theaters on June 20.  <\/p>\n<hr\/>\n<p>\u2028<em><strong>Symbol credit:<\/strong> Sony Photos <\/em> <\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Credit score: Sony Filmmaker Danny Boyle\u2019s upcoming blockbuster sequel 28 Years Later embraces quite a lot of trendy filmmaking generation, together with capturing some sequences the usage of Apple iPhone smartphones. As PetaPixel reported closing September, Boyle made headlines when behind-the-scenes pictures confirmed that he and his group have been the usage of iPhone to<\/p>\n","protected":false},"author":1,"featured_media":21305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/petapixel.com\/assets\/uploads\/2025\/05\/28-years-later-1-sony.jpg","fifu_image_alt":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-21303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured"],"_links":{"self":[{"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/posts\/21303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/comments?post=21303"}],"version-history":[{"count":1,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/posts\/21303\/revisions"}],"predecessor-version":[{"id":21304,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/posts\/21303\/revisions\/21304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/media\/21305"}],"wp:attachment":[{"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/media?parent=21303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/categories?post=21303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webdesignrace.com\/photography_blog\/wp-json\/wp\/v2\/tags?post=21303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}