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A high-end digital cinema camera with a large lens, control dials, and a display screen showing settings, set against a black background.

Cinelux unveiled a prototype of a brand new hybrid movie digicam, the Cinelux 16. In step with Cinelux, the 16 is the primary new hybrid analog cinema digicam constructed for contemporary manufacturing workflows in over twenty years.

As first reported through Information Shooter, the Cinelux 16 first made its look at Cine Equipment 2025, albeit as an excessively tough prototype. The group has been running at the digicam for over two years, and it stays in prototype however is on agenda for a 2027 free up.

What makes the Cinelux 16 particular is that this can be a in reality hybrid Tremendous 16 movie digicam. It shoots real-deal Tremendous 16 movie. However it additionally has a 3K Tremendous 16-format virtual cinema sensor in-built that information concurrently to CFexpress Sort B media and helps numerous industry-standard formats.

Close-up of a professional underwater camera housing with the front lens port open, revealing the camera sensor and internal components. The housing is black with buttons, dials, and a visible logo.

As Cinelux describes it, the facility to have top quality virtual video information straight away whilst capturing considerably hurries up fashionable manufacturing workflows. Filmmakers, editors, and manufacturing group of workers have rapid get admission to to virtual proxies.

“By way of including a real virtual cinema output along a movie deliverable, capturing movie now not impedes the momentum of manufacturing necessities,” Cinelux explains.

A black, professional film camera body with a large round film magazine attached, various control dials, and an empty lens mount, displayed against a black background.

All the way through each and every shutter revolution, the digicam makes two exposures. Certainly one of them is throughout the movie gate, hanging the analog media within. The opposite is going to the virtual cinema sensor.

“Essentially the most direct affect is having a movie output with a real virtual pipeline, each on set and in submit,” says Cinelux.

To make sure the virtual document comes in handy and indicative of the way the movie will glance, Cinelux is creating reside movie emulation generation. The corporate says its colour science and symbol processing ship an “as-true-as-possible” tracking revel in. The corporate has labored with colorists and cinematographers to ship a particularly correct virtual feed that displays the movie inventory getting used.

“We’re running to in the end have the virtual feed react the similar approach movie would. Difficult shadows, clipped highlights, dynamic vary, and colour react very in particular on movie. The virtual symbol processing at the 16 will emulate this as perfect as probable with a purpose to use the picture feed as an publicity instrument,” Cinelux claims.

A professional-grade black Arri Alexa film camera with a digital display screen, various buttons, and dials, viewed from a front side angle, without a lens attached.

Despite the fact that the Cinelux 16 remains to be in prototype shape, the corporate has finalized maximum of its specifications. The digicam will paintings with an non-compulsory digital viewfinder, have industry-standard connectivity and ports like SDI and USB, come with wi-fi connectivity, and settle for 400- and 1,000-foot movie mags. The digicam may also come with Timecode Genlock Sync, a integrated mic, and sound syncing.

The digicam will characteristic a 13.35 x 7.42mm symbol sensor that information Cinelux Uncooked, Cinema DNG, and ProRes 444 HQ. The digicam will report 3K solution photos at as much as 120 frames in keeping with 2nd.

Despite the fact that pricing isn’t but legit, Cinelux does say the digicam will price “lower than a used Arriflex 416.” That leaves an excessively huge window open, as used Arriflex 416 cameras in most cases price between $65,000 and $90,000, relying on situation, equipment, and further parts.


Symbol credit: Cinelux

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