Photographer Nicole Tung makes use of her digital camera to reveal tough, vital tales from the hidden global of Southeast Asia’s fishing trade, shining a mild at the trade’s human and environmental prices.
Nicole Tung, a contract photojournalist born in Hong Kong and based totally between assignments international, has constructed a occupation on documenting one of the maximum pressing and hard tales of our time. Her paintings, incessantly focused on struggle and humanitarian crises, has gave the impression in main world publications and supported NGOs at the flooring.
This yr, she was once named the laureate of the fifteenth Carmignac Photojournalism Award, an honor that marks each a brand new bankruptcy in her occupation and a shift in center of attention to the intersection of human rights and environmental decline.
In collaboration with the Fondation Carmignac group, Nicole Tung shared insights into this award-winning undertaking with PetaPixel.

In regards to the Carmignac Photojournalism Award
Created in 2009, the Carmignac Photojournalism Award budget the manufacturing of long-term investigative tasks that make clear underreported problems international. Each and every yr, the Basis selects a geographic area and theme, providing laureates no longer handiest monetary beef up but additionally editorial freedom and logistical help. Not like many different awards, the Carmignac Award isn’t given for finished tasks. As a substitute, it’s in particular designed to permit reporters to hold out new paintings. For safety causes, the laureate is formally introduced handiest as soon as the reporting has been finished.
Tung’s undertaking on unlawful fishing and hard work abuses in Southeast Asia was once made imaginable thru this beef up. The award allowed her to spend 9 months within the box throughout Thailand, the Philippines, and Indonesia, documenting a hidden trade the place ecological devastation and human exploitation incessantly stay out of public sight.



A New Path
For Tung, the popularity additionally represented a significant departure from her standard center of attention on struggle zones, the place her paintings has incessantly focused on documenting the toll of warfare and displacement. Transferring to an environmental tale supposed no longer handiest enticing with a brand new subject material but additionally rethinking her visible and narrative method.
“I’m extraordinarily commemorated, and what it represents for my paintings is one thing fairly other within the sense that it isn’t about struggle. It unfolded a complete other set of demanding situations for me as a result of I needed to suppose in a different way about how you can method the topic of overfishing, to visualise its have an effect on at the atmosphere, and to know the fee on human lives of the meals we eat,” Tung says.
This shift required her to decelerate, immerse herself in communities, and broaden believe with the ones whose tales are incessantly invisible to the outdoor global. As a substitute of the immediacy of frontline reporting, the undertaking required persistence, long-term statement, and a radical exam of systemic problems relatively than surprising occasions. For Tung, the award supplied the gap and beef up to extend her storytelling follow, making use of the similar empathy and rigor she has dropped at struggle protection to the pressing questions of environmental justice and human rights at sea.
Investigating an Opaque Trade
Her reporting took her to Thailand, the Philippines, and Indonesia, 3 nations on the center of worldwide fishing provide chains and concurrently some of the maximum suffering from unlawful practices. Business-scale fishing, she discovered, no longer handiest depletes fish shares and threatens biodiversity but additionally relies on exploitative hard work practices that incessantly stay invisible to customers.
“It was once assembly with fishermen who were recruited to paintings on Chinese language vessels, and listening to the tales of the abuse they witnessed and persisted, that stayed with me. It made me understand that we settle for those invisible prices of the seafood we consume at our peril, exactly as a result of they continue to be hidden from public view,” Tung recollects.
Get entry to to the trade is notoriously restricted, particularly at sea, the place operations are protected from oversight. Tung approached the topic via tracing the interconnections between environmental destruction, pressured hard work, and geopolitics. Her pictures file each the human toll on migrant laborers and the ecological cave in pushed via harmful fishing strategies.




Balancing Human and Environmental Tales
For Tung, keeping apart environmental degradation from human rights abuses is unattainable, as the 2 crises are intertwined at each stage of the fishing trade. The depletion of marine lifestyles is not only an ecological factor but additionally a human one, with exploitation and abuse woven into the similar machine that strips the seas in their assets.
“Business scale fishing is contributing to the speedy decline of fish shares as a result of the sheer quantity it eliminates from the ocean with out sustainable how one can permit fish to refill. What drives that, then again, is the exploitation of work. Vessels are beneath force to catch up to imaginable within the shortest time, and it isn’t successful for them to pay folks somewhat or deal with them with dignity,” Tung says.
Her reporting displays this inseparability, spanning a couple of sides of the trade that in combination shape a fancy and incessantly opaque community. Within the Philippines, she tested the tuna industry, a cornerstone of the worldwide seafood financial system, the place the trail from small coastal canneries to world markets unearths the trouble in tracing the origins of what finally ends up on plates around the globe. In Indonesia, she investigated the shark trade, the place meat is offered in the neighborhood however fins and bones are exported for cosmetics and standard drugs, highlighting how world call for fuels native exploitation. Around the area, she documented the running stipulations of crews, a lot of whom are migrant laborers trapped in cycles of debt, withheld wages, and, every now and then, violence aboard vessels running a long way from oversight.
Each and every layer of her reporting provides to a broader image of provide chains which might be huge, transnational, and in large part untraceable to customers. Via weaving in combination environmental loss with human struggling, Tung underscores how the seafood trade’s hidden prices are borne each via the oceans and the individuals who paintings inside of them.
The Function of Photojournalism
Tung believes that pictures can act as reminders of ongoing problems even if the details don’t seem to be new. Overfishing, unlawful and unreported practices, and abuses at sea were documented for years, however she argues that images can play a the most important position in conserving force on governments and firms to switch.
“Reminders of those abuses may also be vital and robust. Even though some nations have made enhancements, there’s nonetheless an extended method to move. I am hoping those pictures can function a reminder of the lengths to which governments and industrial corporations nonetheless want to make stronger,” she says.




Having a look Ahead
Even though she has spent years running in warfare zones, Nicole Tung says she hopes to proceed pursuing tales that cope with local weather trade, environmental justice, and the human value of ecological cave in. The Carmignac-supported undertaking, she feels, has handiest scratched the outside of what continues to be exposed.
“I am hoping I will proceed this undertaking in some capability sooner or later. There’s so a lot more to discover on this darkish and opaque trade that a long way too incessantly disregards the truth that the catch within the sea isn’t countless,” Tung says.
As Southeast Asia’s waters develop ever extra contested, the steadiness between human livelihoods and ecological survival turns into increasingly more pressing. For Nicole Tung, images is not just about bearing witness however about making sure that the hidden prices of on a regular basis intake are introduced into public view.
Symbol credit: Nicole Tung, Carmignac Photojournalism Award, Chris McGrath